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Messy, Messy, Messy

I realized this morning that my online life was very very messy. It took a phone call from my website’s abuse department, which was a scary phone call before 9 a.m. (although this phone call would be scary at any time).

Apparently, someone took advantage of my messy online life and created some very authentic looking web pages in order to phish account information from unsuspecting people. The pages appeared on my web site. They wanted to know if I could please delete the offending files. They were actually pretty nice about it, and the default setting wasn’t “You are guilty” but “You are a victim too.” Whew.

The suggestion was that if I was hosting a blog, my blog application was out of date, which would make my site vulnerable. I immediately logged into my blog and confirmed that I was using the latest application.

It wasn’t until I opened up the screenshot sent to me as well as my FTP that I realized it wasn’t my current blog that was the problem. It was one that I still had that was now just a redirect to the current blog. I hadn’t logged into that blog account since I combined all of my blogs into one spot and changed the name to Digital Rhetoric. And that meant that blog’s software wasn’t updated to the latest and greatest.

When I first did the redirect, I deleted all of my FTP and photo and teaching blog stuff, which left a messy “file not found” problem for the pages within those blogs. And that is when I realized I could just use a redirect, so that is what I did for my lindasherwood.com blog. And it was the lindasherwood.com blog that phishers used to create the fake pages.

The first email notifying me of the problem was sent to me at 11 a.m. yesterday. Of course, I hadn’t read my email yet. If I hadn’t got the phone call this morning, I’m not sure I would have realized it today. Or more likely, I wouldn’t have realized it until after I left the house and didn’t have the means to fix it until I returned home later today.

And as I was going through my various files for lindasherwood.com, I realized that the background stuff of my web site is very very messy. I installed WordPress in 2009, and I made my site function using blog software then. Before that, I had a regular web site with lots of pages, and you can still see some of those pages by typing the URL directly: www.lindasherwood.com/portfolio.html I had forgotten that web site version was even still available! And most of the links still work.

So, in an effort to clean up my website, I have deleted a bunch of files this morning. And in doing so, I made my main page, lindasherwood.com not work. I’ll fix it later. The important part is that I also got rid of the phishing pages.

This is also why my site’s main page: lindasherwood.com isn’t working right now.

And here is a couple of links about phishing that was sent to me by my hosting site’s abuse department:
http://en.wikipedia.org/wiki/Phishing
http://www.antiphishing.org/

Have you cleaned up your website lately?

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Publishing and the Web: Don’t Get Tangled In Copyright Issues

“We always include copyright information if it is available,” reads the ‘legalese’ at the bottom of one e-zine.

Excuse me? Copyright isn’t something that is or isn’t available. Copyright exists from the moment a body of work is created, and it rests solely with the creator of that work. In order for anyone to reprint or use the creation, they need to ask for and receive permission from the original creator. If you don’t have the permission of the writer or the artist or the photographer, you shouldn’t be reproducing the work.

The publisher of the e-zine in question is misinformed about what copyright means, and it could end up costing him a lot of money in a court of law. This particular publisher is reprinting articles from popular books like “Chicken Soup for the Soul” as well as other e-zines. Even when the original author’s e-mail address is available, the publisher hasn’t tried to contact the author for permission to reprint an article. Instead, this publisher reprints the article, and if a byline is available, he will include it. In other words, every time he publishes an issue of his e-zine, he is violating a law.

Ignorance of the law is not a defense. If you have a Web site or publish an e-zine that includes information (in any form) that hasn’t been created by you, you need to be aware of the laws regarding copyrights, or you could end up paying a hefty price.

Adding Content to Your Site or E-zine

From the time you place your first page on the World Wide Web or from the time you send out your first e-zine, you need to be aware of copyright issues. Copyrights can be confusing, but it is easier (and cheaper) for you to do your homework first rather than having an attorney or a judge teach you about copyrights.

Many assume they know what copyright means and when it is in force, but it is always better to know the facts than to make false assumptions.

Brad Templeton tries to clear up many of the myths surrounding copyrights in his article, (http://www.templetons.com/brad/copymyths.html) 10 Big Myths About Copyright Explained.

Even the big boys of publishing have been known to fumble when it comes to copyrights. Both Contentville.com and iUniverse.com are being investigated by the National Writer’s Union for copyright infringements.

Infringement can and does end up in the courts. In the October 2000 edition of Writer’s Digest magazine (http://www.writersdigest.com), a full page ad carries a legal notice concerning a copyright infringement lawsuit involving The Uncover Company. The full details of the settlement can be viewed at http://www.uncoversettlement.com.

Finding Good Content

One of the best’s way to find good content for your Web site or e-zine is to hire a professional to produce it for you or to produce it yourself. Many Web sites and e-zines, however, are working on a shoestring budget. So rather than hiring or producing original content, publishers rely on reprints. This is where the copyright web begins to tangle around many unsuspecting publishers. To stay out of the Copyright Web, keep these tips in mind:

=> Reprints aren’t always free. Even if the article has appeared in another publication, copyright is still a factor. If you read an article you feel would be an asset to your e-zine or Web site, contact the author or the publication in which it appeared to inquire if the article is available for reprint and under what conditions.

=> Join a list where members post articles available for reprint as long as
certain guidelines are followed. The e-mail group requires publishers to notify authors after publication. Some authors, when posting articles to the list require to be notified in advance of publication, as well as having a copy or URL sent to them after publication. Before using any article from this type of source, you should make sure you are complying with all of the requirements of both the list and the individual author. If you don’t, you could be guilty of copyright infringement.

=> Become familiar with copyright rights and issues. A good source for publishers online and off is Giving Credit and Requesting Permission: Guidelines for Using Material Other Than Your Own. http://www.oreilly.com/oreilly/author/permission

=> Know and understand the difference between Fair Use and Copyright infringement. While you should never reprint an article without permission of the author, you can make references to and quote from an original body of work without the author’s permission. You should give credit to the original source, and you should use a very small portion of the original work. Fair use would allow you to say:

In her article, Never Ever Change A Quote, Linda Sherwood offers writers 10 tips to quoting accurately and effectively.

But it would not allow you to reproduce the article entirely or even a large section of it. To find out more about Copyright and Fair Use go to http://fairuse.stanford.edu.

Everything Has A Cost

Groups offering free articles can offer your publication high quality content at a price you can afford — free. The type of articles offered cover a wide range of interests. The author includes a resource box at the end of the article, which must be published. Most authors require the article and the resource box remain unchanged. The idea is to offer content to publishers and offer promotion to the authors — sort of a “you scratch my back and I’ll scratch yours” kind of arrangement Problems occur, however, when publishers don’t follow the groups and/or author’s guidelines before publishing the article.

Even when articles are offered for “free,” authors are expecting a payment. In the case of groups like “Free to Publish In Yours,” authors are often hoping to promote a product, book, Web site or to gain a published clip. Publishers need to remember to follow through and “pay” the writer by sending them a copy of the finished e-zine or URL.

If a significant amount of time has passed, pertinent information may have changed. The author may have a new book to promote or a new e-mail address. This is another reason why it is a good idea to send the creator of the work a quick e-mail requesting permission before you use their article. By letting them know in advance, you are letting them get the maximum benefit from your publication.

Links as an Alternative

If you can’t afford to pay for content or you can’t figure out who the author or copyright holder is, but you still want to include content you found on another Web site, there is another way. You can provide a link to the content you want that will take your visitors to the original publisher. The downside to this method is once visitors leave your site, they may not return.

Other Resources

To find out even more information about copyrights and the Internet highway, visit these sites:

C rights in e-mail http://www.ivanhoffman.com/derivative.html

Who owns the Copyright in your Web site? By Ivan Hoffman http://www.ivanhoffman.com/website.html

Internet Law Simplified By Ivan Hoffman

http://www.online-magazine.com/copyright.htm

Publishing Laws and Other Articles of Interest

http://www.publaw.com/articles.html

Finding a Real Job

I write for a living. It’s an occupation that can make it hard to convincingly complain about a stressful day. I’ve tried. The results have been mixed, but in general, most are unimpressed.

At the end of a challenging day, I somehow find the strength to put a meal together for my family about an hour or so late. The kitchen sink is full of dirty dishes and the counter is crowded.

At this point, my husband will walk in and be astounded dinner isn’t ready and waiting.

“What did you do today?” he’ll ask, clearly baffled as he looks around at all of the evidence that shows what I didn’t do today.

“I worked,” I’ll say.

“So you decided to get a real job did you?”

According to my husband, I’ve never had a “real job.”

I don’t get my hands dirty enough. I don’t use enough muscles. The only time my work causes me to sweat is a hot day in July when the air conditioning isn’t working.

But, he will admit, that he thinks it’s great how I’ve conned people into paying me for not really working.

Now, I don’t want to upset anyone like my mother (Hi, Mom!). My husband does know that I write and he is proud of what I do. He knows he could never do it. He just doesn’t understand how it can tire me out. After all, I’m just sitting in a chair in front of a computer. How many calories can I burn doing that?

He isn’t the only one that doesn’t understand. As I sit in my office struggling to find the right way to string the words, I’m interrupted. My mother is astounded when she calls and I’m not very talkative. “Are you typing?” she’ll ask. “You didn’t hear a word I said did you?” “Of course I did. What did you say?” You see I have trouble carrying on a conversation when my words are finally coming together. Some days she quickly realizes this. Others, she talks on and on for minutes and the conversation ends with me being hard pressed to say what she told me. (Sorry, Mom.)

My children have also found themselves victims of my distracted writing self. As I type, they come up to my side to ask for requests. They are often answered by “no” and “leave me alone.” But they are young, so they persist. Recently, my oldest daughter did this. She came to my office with a simple request for paper. I brushed her off, but eventually I coughed up the paper with the hopes to distract her long enough that I could finish the article I was working on. It didn’t work. She came back, asking me to fold the paper. I launched into a lecture about respect and writing while I folded the paper in half. “Thanks Mom,” she said, ignoring my lecture. “Can you staple it too? Three times.” So, I sigh quietly as I staple the sides of the paper and hand it back to her.

“Now go,” I say, shooing her out of my office. “I’m working.”

She goes. She leaves me alone for a half hour before she finally returns with a smile on her face spreading from ear to ear.

“Mom, Mom,” she yells excitedly in my ear.

I grumble as I look away from my article. Looked way from the words that are still struggling to be formed on the screen.

“I wrote a book about a giant mouse and a little cat. Want to read it?”

I take the finished book from her. Even the graphics are done. OK, so they are drawings by a almost 7-year-old, but they aren’t bad.

“The Big Mouse that Ate the Little Cat” by Autumn Sherwood. I read the book to her.

She asks if I’m done with mine. No. Not yet. It seems others can write and publish complete books quicker than I can write an article.

She shrugs her shoulders and runs off to write another book.

I stare back at my computer screen and my half-finished article. My eyes slide over to her completed book sitting accusingly on my desk.

How am I ever going to convince my family that writing really is tough stuff?

Networking on the Net

By Linda Sherwood and Teri Brown

It’s finished, but not quite right. Unsure of what the problem is, Linda passes it to her writing partner, Teri, to take a look. After looking it over, Teri passes it back with a few suggestions. A pretty normal day at the office for most, but Teri and Linda are separated by over 2,000 miles. They work “side by side” in a virtual office with the help of the Internet.

Teri and Linda met in an online community for new and beginning writers. By becoming partners, the solitary life of the writer was history. Linda may be writing her weekly newspaper articles while Teri is writing a chapter in her fiction novel, but neither is alone in their work. Teri can stop and ask Linda how to spell a word and Linda can ask Teri for input on a tough lead.

Email and instant messages allow us to work together even when working on individual projects. The relationship has helped us to achieve even more than we could do alone. One example is this article, which began as the brainchild of one of us, although we aren’t exactly sure which one of us anymore. In forming writing partnerships, we’ve found the best thing to look for is someone opposite you in terms of writing abilities, but similar in other ways.

In our case, it’s Teri who develops the idea or the dialogue and Linda who puts the commas and periods in their proper places. For Joy Thomas and Karen Hertzberg the ability to utilize one anothers talents can account for a large part of their success in their efforts to create Coffee House for Writers, an online community for writers.

While the idea for Coffee House for Writers originated with Karen, who is the editor of the site, Joy plays an integral part of the operation. The pair teamed up in 1998 when Joy volunteered to moderate a workshop for Karen. This year, Joy became articles editor at the Web site and began to work on its newsletter, Fiction Fix.

“By taking over the content side of the newsletter, I freed Karen up to do some great marketing work on behalf of Fiction Fix, and as a result, our subscriber rate has doubled,” said Joy. “Our joint work on Fiction Fix really showcases how an Internet partnership can flourish.”

While finding someone who complements your writing style is a great goal when developing writing partnerships, sometimes you just get lucky. When Helen Hegener, editor of Home Education Magazine, needed an articles editor she didn’t have to look very far. Kim O’Hara, a contributor to the magazine, was only a click away.

“We worked on a few things for a year or two, and I was impressed with her obvious ability and sparkling personality – which comes through even via email!” said Helen about how Kim began her job as articles editor for HEM, a monthly print magazine for homeschoolers. “I think mostly through she was the right person, in the right place at the right time, when we needed a good articles editor.”

Though separated by miles they have formed a working relationship that is both efficient and successful. Even after a year, both prefer working via e-mail then actually having a side by side relationship. As Kim puts it, “It allows near-instant transmission, receipt upon the convenience of the recipient, a record of what was sent, and a way of copying the previous correspondence and responding to relevant pieces as needed.”

Though Kim and Helen have never had any trouble in their working relationship, Helen admits that she has seen problems develop in other collaborations. “I’ve known many relationships between other people trying to work together online which just didn’t workout, often resulting in harsh words and hurt feelings. Usually one partner or the other isn’t openly communicative, which leads to misunderstandings. One really must be clear about needs and expectations when email is your only tool for communication.”

Collaborating online offers greater flexibility for writers and more efficient use of time than many face-to-face collaborations. Despite living just four hours apart, Angela Adair-Hoy and M.J. Rose chose to do most of their work online rather than in person when writing their book, Secrets of our Success.
“Online collaboration is much faster,” said Angela. “Our book took only five weeks to write. If we were meeting to get it written, this would have taken much longer.”

M.J. agrees. “In the past, I have collaborated with several people on screenplays and found it a difficult process. Sitting in a room with a computer, one of us got to talk, the other to write. It was never fair.”

While online relationships like these are bound to become more common place, sometimes there is no substitute for a real phone conversation. No one understands the high excitement of an acceptance better than another writer. Be sure to pick up the phone and share your joys and triumphs the old-fashioned way. In the end, it will make your online relationship that much stronger.

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Invoice Tips

Your invoice doesn’t have to be fancy. It can be a Word document, or just pasted into an e-mail. The important part is that you keep track of your invoices. You’ll need them for tax time. I recommend saving your invoices on your computer in a file called “invoices.” Or you can print them out and save hard copies. The important thing is to keep them all together. The information that needs to be included is pretty simple. Please refer to the sample invoice below to see how a fairly simple invoice could look. There are five important parts to the invoice, and I’ll explain those in more depth.

1. The Invoice # — Develop a system system that works for you. I tend to use the publication’s initials, the current year, and then the article number. For example, WD.2006.03, would be for Writer’s Digest, in 2006, the third article written for WD that year. Just be sure that the publications you write for don’t have the same initials. If they do, like Writer’s Digest and Woman’s Day, you’ll have to make a slight adjustments to your system.

2. Article Information — Clearly define the article you are invoicing. If you don’t know the final headline, use the working title. Include the publication name, author name, title of article, description (is it an article or an essay?), and word count.

3. Rights sold — This is extremely important. You want to clearly define what copyrights you are selling to the publisher. This will let the publisher know if the article is original or a reprint. It will also make it clear if they can reuse your article, or if it is just for one time use.

4. Compensation: — Be sure to list the amount of payment you agreed upon, and it is a good idea to mention the currency you expect payment in. In my case, I prefer U.S. currency but will the publication know that?

5. Social Security # — If you get paid more than $600, or you repeatedly write for this publication, you will need to supply your social security number. I recommend you share it only if they request it.

You can send an invoice by e-mail as well. Just be sure to clearly identify the invoice using the subject line. I recommend using “Invoice: Great Article Title Here.” Then just paste the information into the body of an e-mail. There’s no reason to use an attachment. Be sure to include all of the information you would in the normal e-mail. In fact, I recommend you develop an invoice using your normal method. That way you still have it for your records.

Sample Invoice
Jimmy Writer
PO Box XX, City, State ZIP Code 989-555-1212

Invoice # GM.2006.01

March 13, 2006

Name of Publication: Great Magazine
Name of author: Jimmy Writer
Article: Best Article Ever
Type: Nonfiction Article
Word Count: 900
Rights: One time rights, reprint

Compensation: $200 U.S.
Terms: Net 30

Please remit payment to:

Name: Jimmy Writer
Phone Number: 989-555-1212
Address: PO Box XX
City, State ZIP
E-mail: jimmy@greatwriter.com
SS#XXX-XX-XXXX

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